THEY LIVED, ONCE UPON A TIME!
To tell their stories, individual
biographies would be ideal. They made important contributions to the village
economy. But, due to time and the fact
that no one can give adequate and in-depth details about their diverse social
and other aspects of their well-lived lives today, a mere glimpse in their role as observed in my childhood might remind compatriots of where we are coming from; and jerk our dormant conscious of how much we have neglected our tourism package which is still covered in dust in the archives.
It will also serve to remind all
the born-frees that there was life before us, which was enjoyed just as much.
Hunter. Blacksmith. Carver. Tanner.
Potter. Brewer. Weaver. And other
artists.
Armateur Knives & Cooking Sticks from an urban market- Pic by Vincent Mwanda |
These are some of the unsung contemporary ‘industrialists’ and artists who contributed immensely to the village economy and made their habitats self-contained. Each one of them was special in their own right. Yes, they lived, too, once upon a time!
Until, of course, after the arrival
of Germany-made Okapi, the local blacksmith’s wrought knife was the major
cutting tool of the village. Before that colonial pick brought by a Missionary, they
created all sizes of quality home-made axes and hoes.
The Carver complemented the skills
of his colleague by carving handles of all sizes with marked precision. His mbaso,
the versatile adze, was used aptly to bring into existence novel finished
products, many of which you might think were done by a modern plane.
The Hunter provided the needed skin
which the Tanner turned into useful material while potters worked on the
much-needed ‘refrigerators.’ Brewers
ensured that the other side of life, entertainment, was adequately cared for.
Everyone had an important role to play to make work and life NORMAL and
enjoyable.
I recall some of these works and
leisure.
It started with a Hunter who was
likely a conversant Tanner as well. He supplied the blacksmith with animal skin
from which muuba, bellows, were made. He also catered for the stool and
drum makers. Tanned animal skin was also
used by many as a mattress even after the modern cushion had arrived.
Our blacksmith built his coveted
smithy, a forge that operated from six to six, under a huge Mushikishi tree. He
then stitched a special air blowing tool, the bellow which looked exactly like
a pair of shorts; and was used to gulp and blow air into the forge thereby
keeping the charcoal-filled furnace alive every minute. Several pieces of steel would be put into the
forge until they heated to red hot, a state that made them malleable into any
form. Other tools used were a rail off-cut that was used as an anvil and a
sledgehammer, or small hammers to beat the steel into required shape and size
of whatever he intended to make.
If the blacksmith did not know how
to carve handles, he would seek the services of a Carver who would do it for
him. This man also possessed special skills. From identifying right trees which
would make ideal handles that did not crack or bend after some time, to carving
and gliding acceptable shapes and sizes to fit what his counterpart had made.
He could also, sometimes, engrave these handles in different ways to
demonstrate rare mastery in artistry.
As children, we would go spend time
working the bellows and earn a knife for your parents, or if you do it for a
few days, an axe or a hoe blade. Sometimes you did it to own a knife to use for
eating mangos (a symbol of sophistication among peers), or as a precious
souvenir.
These rewards were phenomenal. Your
guardians, who couldn’t afford to buy such items for cash would praise you and
give you special treatment at home. Also, just the feat of knowing how to
work muuba was an achievement. (Every child wants to experience the
feeling of adults by imitating them, right?)
I remember working at one forge someday
where Mr. Blacksmith and Mr. Carver were secretly drinking Katubi (a local beer made from
millet and drank through a straw) from a hidden small calabash while they
worked. You could tell from their jovial, incessant conversation that though
they were enjoying their craft, something else was exciting them too. I never understood
why they kept asking me to keep a pot of boiling water near the forge
until I discovered the small calabash full of beer, which is kept potent by adding hot water. (When both walked away to
pick something or answer the call of nature, I grabbed the straw and…)
I then understood why they worked
from early morning till sunset without ever going on leave. What was surprising,
too, was that despite drinking while working, they had neither accidents nor
defective products. Theirs were of the same unquestionable high quality!
Speaking of entertainment, there
are many good things my village has abandoned, to conform to what they think is
acceptable and modern. You see, after many of these craftsmen had had their
time with work, they used to enjoy wholesome entertainment. For example, a
number of Brewers, who could be the best at brewing good beer, would come
together, set a special day and fence-off a particular place as a venue for a special occasion,
SANDAUNI (Sundown), to sell their specially brewed Kataata (another
local beer served from cups.) They would hire the local band to play rich,
local Kalindula music, admirable waitresses and one special person, MR. SPEAKER! Then,
almost all villagers, but for the old, sick and dogs, would trek to this
exciting, occasional come-together event.
Special and
most memorable features of any eventful Sandauni were the tactics of this experienced, masterful comedian termed Speaker; through whom you bought, made an announcement, picked
on a dancing partner or selected a song you wanted played.
For example, if you fancied some beautiful woman (which, by the way, included waitresses) and wanted to dance with her, you shouted for the Speaker, explained your wish and paid for the beer. The Speaker would then blow the whistle, hard, to attract everyone’s attention, and in a comic way prop up your eminence, announce your haughty orders, according to how much you paid. Everybody did speak or acted through the speaker and respected his orders! (Who knows may be parliaments copied from us!)
For example, if you fancied some beautiful woman (which, by the way, included waitresses) and wanted to dance with her, you shouted for the Speaker, explained your wish and paid for the beer. The Speaker would then blow the whistle, hard, to attract everyone’s attention, and in a comic way prop up your eminence, announce your haughty orders, according to how much you paid. Everybody did speak or acted through the speaker and respected his orders! (Who knows may be parliaments copied from us!)
Usually, the
latest announcement was aimed at outdoing the earlier in all respects, especially
in terms of expense and pomp. It’s this stage-managed competition between merrymakers that enabled brewers to sell huge quantities of beer and maximize
their profits.
Sales of other merchandise
flourished too. Some sold their artifacts like mats, clay pots, specially
cooked food such as rice, fritters, etc.
Did I mention that policing was also arranged through some powerful,
tested and experienced no-nonsense giant bouncers with brawny arms? That was my
village then! Self-sufficient indeed!
As I remember some of these innovative musketeers, I yearn for a time when we will get to sell some of what they did as our added package to wildlife tourism so our visitors can get to know us better. Not just a wish!
As I remember some of these innovative musketeers, I yearn for a time when we will get to sell some of what they did as our added package to wildlife tourism so our visitors can get to know us better. Not just a wish!
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